The first concert will host Kid Francescoli, Marseille’s indie pop prodigy. In 2017, he was back with a collection of songs, a sequel to the album With Julia. Play Me Again is his latest musical creation and we are looking forward to welcoming his band here. They will be on stage at KED on Thursday, January 18th. More details here.
We got the chance to chat with Mathieu a.k.a Kid Francescoli about his name, his latest album, his influences and his European Tour.
BBS/ It seems you are a big fan of l’Olympique Marseille and your stage name is inspired by the famous player Enzo Francescoli, although he only spent one season in Marseille. What was so special about him?
KF/ Yes, he only spent one season here, which is quite short but enough for great players (like Didier Drogba) to become legends. Enzo Francescoli had a way of moving on the field and caressing the ball that was very graceful, almost like ballet. Something very artistic with a lot of style that no other player had (even though we had a lot of fantastic players at that time).
BBS/ This album [produced by Simon Henner and Mixed by Antoine Thibaudeau] varies in style and sounds. Some electro, RnB, spoken word, remixes, a reggae inspired track.. How did you manage to make it all come together as one coherent project?
KF/ It has to be coherent in your heart when you record it. I didn’t decide to mix all those styles, it was not a plan or a concept before going into the studio. It’s just the sum of all the music that I’ve listened to and, more importantly, that I’ve loved while doing it.
BBS/ You grew up in a city known for its rap and hip hop. Did that influence you in any way?
KF/ I learnt how to record an album in a professional studio thanks to hip-hop in Marseille (I was an intern at the time of La Fonky Family). It was my first experience inside this fantasy world. But most of all I was impressed by how hardworking they were. I always try to keep that in mind.
BBS/ These days most french bands choose to sing in English. You sing in both English and French on this album, even Julia (who is American) sings in French. Tell us more about this bilingual approach to your music?
KF/ I think it comes from the music you listen to and you love. I was obsessed by the U.S. when we made With Julia, then on stage we covered this French song called Pendant que les Champs brulent by Niagara and we loved doing it, so we decided to add some French in the next album. In my very first album there is a song in Italian as the singer I was working with at the time was Italian. So it’s not really bilingual, it’s more about the culture that surrounds you at that specific moment.
BBS/ You sometimes perform as a duo and sometimes as a trio with live drums. How is that different for you ?
KF/ In Beirut, we are coming as a trio with the drummer. I like both performing as a duo and as a trio, both options have something special and it’s fun in a different way on stage. The trio is more groovy while the duo is more electronic
BBS/ You’re going to be on Tour for a while across Europe, how did you prepare yourself for such an intense adventure?
KF/ I don’t really need to prepare myself, it’s more a case of “I can’t wait for this adventure”. Being on the road can be exhausting sometimes but it’s so much fun, it’s what I’ve always dreamt of since I was a kid. And I sincerely feel blessed to make a living from my music and to be touring so much.
BBS/ What was your funnest or craziest fan encounter if any or gig experience? any stories for the grandchildren?
KF/ Don’t know if I can tell this one to the grandchildren! But once after a show we had this couple telling us that the first time they had sex together was on our song Blow Up… and so they had sex again at the gig! We also had this huge fan of Julia’s in Rennes, he was in the front row and spent literally the entire show yelling her name « Julia ! Julia ! », over and over again…